The Invisible

At its best, ‘The Invisible,’ now playing in theaters, could have been a supernatural take on the 1950 classic ‘D.O.A.’ (or its 1988 remake), in which a man tries to solve his own murder in the time he has left before the slow-acting poison coursing through his veins finishes him off. Instead, it’s an angst-fest in which the protagonist, trapped in a poorly defined middle ground between life and death, ineffectually yells at the living and hopes